That Drifting Excrement Was Far Too Meaningful! These Are the TV Letdowns of the Year.

As we reflect on the television offerings of the recent year, a handful of shows stand out not for their brilliance, but for their notable failures. Ranging from cringe-inducing spin-offs to confusingly poor docuseries, here are the productions that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with dreadful writing, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the final season started, it looked like it had at last hit its stride. Then arrived an installment centered on Seema’s natural deodorant. No wonder the creator announced this would be the final series. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too symbolic. Yet, viewers undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this show's problems. The recipient of a very rare no-star review, it was hard to know where to start listing the problems. The laughably wooden dialogue? The mind-numbing glorification of wealth and materialism? The seemingly wilful parade of tropes? Acting so poor they felt almost malicious? Let’s just say “each and every one” and never speak of this series again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this series might induce should be saved for the people who have had to endure proximity with this charming but dismissive egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady figures convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were plenty of other problems. Mainly that it was just profoundly boring; a conflict over narcotics territory between various cockney rogues which seemed rather simplistic.

With Love, Meghan

Given the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into quaint homemaking as deliberate provocations. But then you view them and are forced to concede that actually, they may have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and forgettable crafting “tips” you’ll not remember instantly. All supported by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for whatever reason, this three-part series chose not to explore them. Instead, the viewing was akin to reading a marketing catalogue. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It should have been the next big hit – except even camper, with a glamorous star playing dead and a sharp-tongued personality managing her estate. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart recruitment of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We love the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a discovery that could ruin society? No! This globe-trotting thriller about secret services targeting – and killing off – academics frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was way more interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Diane Ayala
Diane Ayala

Maya is a seasoned sports analyst with over a decade of experience in prop betting and statistical modeling.

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